As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
Based on the Essex witch hunts during the English Civil War in 1644, this is so much more than a historical novel. The writing is poetic and fierce, the emotions riveting and unexpectedly moving. And our heroine, clever Rebecca West faces the danger of simply being a low-born, impoverished woman when ‘The Witchfinder General’ (a real historical figure) launches a patriarchal inquisition to ‘clean up’ society. How will Rebecca learn to protect both herself and her cantankerous mother in a cruel world hungry to claim marginalized women as scapegoats? Betrayal and heartbreak, solidarity, and mercy are all brought to vivid, unforgettable life in this literary gem.
Wolf Hall meets The Favourite in this beguiling debut novel that brilliantly brings to life the residents of a small English town in the grip of the seventeenth-century witch trials and the young woman tasked with saving them all from themselves.
"This is an intimate portrait of a clever if unworldly heroine who slides from amused observation of the 'moribund carnival atmosphere' in the household of a 'possessed' child to nervous uncertainty about the part in the proceedings played by her adored tutor to utter despair as a wagon carts her off to prison." —Alida Becker, The New York Times…
Speaking of witch hunts… oh wait, #MeToo was most definitely not a witch hunt when it came to exposing the predatory behavior of one Harvey Weinstein. This non-fiction book probably needs no introduction: it’s written by the Pulitzer Prize-winning New York Timesjournalists who finally broke the story of the century. It is a must-read in terms of understanding how one man’s power enabled him to get away with assaulting and terrorizing women for so long. Megan and Jodi’s final confrontation with Weinstein himself is chilling. And if you think the story ends there, a powerful coda centers on Christine Blasey Ford and her decision to speak up against the nomination of Brett Kavanaugh. This book’s humane, empathetic account offers a small modicum of justice in the wake of all the pain, destruction, and trauma caused by a perpetrator like Weinstein.
*SOON TO BE A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN AND ZOE KAZAN*
'Explosive' Margaret Atwood
'Seismic' Observer
'Brilliant' Nigella Lawson
'Gripping' Jon Ronson
A FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAR
On 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world.
Hollywood was talking as never before. Kantor and Twohey outmanoeuvred Harvey Weinstein, his team of defenders and private investigators, convincing some of the most famous women in the world - and some unknown ones - to go on the record.…
This novel is razor-sharp, as infuriating as it is funny. Adapted into an award-winning 2017 film with Glenn Close, the original source material is actually much more satirical, suspenseful, and insightful. Joan Castleman is the long-suffering wife of a revered novelist, who is soon to be honored with a lifetime achievement award (think: the Nobel Prize). They journey to Helsinki for the ceremony, but Joan has more than a few resentments building inside her. And how much exactly does Joe Castleman owe his successful career to his wife? Was she more than just supportive spouse and homemaker to him? An entertaining diatribe showing how women’s talent and labor often go unrecognized—and even co-opted—by the men in our lives.
THE WIFE is the story of the long and stormy marriage between a world-famous novelist, Joe Castleman, and his wife Joan and the secret they've kept for decades. The novel opens just as Joe is about to receive a prestigious international award, The Helsinki Prize, to honour his career as one of America's preeminent novelists of the Mailer-Bellow-Updike school. But this isn't a book for writers; it's a book for readers, for people who are interested in questions such as: Is there a 'male' voice and a 'female' voice? Do men and women see the world differently, and how? THE…
Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating.
An updated edition of a standard in its field that remains relevant more than thirty years after its original publication.
Over thirty years ago, sociologist and University of California, Berkeley professor Arlie Hochschild set off a tidal wave of conversation and controversy with her bestselling book, The Second Shift. Hochschild's examination of life in dual-career housholds finds that, factoring in paid work, child care, and housework, working mothers put in one month of labor more than their spouses do every year. Updated for a workforce that is now half female, this edition cites a range of updated studies and statistics,…
I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive.
An ambitious, Baileys prize-nominated debut set in an unforgettable place, introducing a powerful new voice in fiction
The Shore: a group of small islands in the Chesapeake Bay, just off the coast of Virginia. The Shore is clumps of evergreens, wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, and dark magic in the marshes. Sanctuary to some but nightmare to others, it's a place that generations of families both wealthy and destitute have inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to escape an abusive home only to find herself with a…
After a long-buried incident, a woman whose promising film career was derailed has an opportunity for revenge in this visceral and timely thriller about power, privilege, and justice.
A mystery set in the world of filmmaking, Complicit owes much to the stories that emerged in the #MeToo movement. But I also wanted to channel my own experiences working in the film industry as a young woman—and as a sexual violence survivor, who has done a lot of thinking and consulting on how we tell these kinds of stories in the media. Complicit captures the magic of moviemaking, the supposed fun and glamour of Hollywood, while questioning how our moral compass becomes warped by ambition, when our workplaces are already such an unequal playing field.
Not So Little Things by Kyle Ann Robertson unravels the meticulously crafted life of Tina, an artist engrossed in the intricate world of historically accurate miniatures. As she dutifully honors her deceased father's desire for her to follow in his artistic and historical footsteps, Tina's controlled existence is shaken by the emergence of long-buried secrets when she takes a commission to build a replica of Jake Martin’s family mansion.
Robertson navigates the delicate balance between Tina's devotion to her father's wishes and the disruptions caused by revelations from the past. The novel beautifully explores the complexity of familial expectations and…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away leaving Tina with feelings of abandonment and suspicion. Raised by her loving, wheelchair-bound Aunt Liddy, her father's sister, 33 year old Tina has become a miniature room artist and cherishes the control she has over her life in Northeast Georgia as she works hard to please her beloved dead father's wishes of following in his footsteps in art and…
